Editing, Leadership and Team Building
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Photo by Sara-Beth Badalamente
To me, “editor-in-chief” and “middle school adviser” mean a lot more than just making changes to stories and doing what I can to produce high-quality content. These words mean spending time with each member of our staff to make them feel included and taking the time to learn about people beyond the newsroom. They mean pushing people beyond their comfort zones while also knowing where to draw the line. They mean resolving conflicts and making sure everyone’s needs are met. I see the power of becoming not a staff but a family that is there for each other, day and night.
EDITING
Planning stories
A major part of my role happens before stories are ready. Our story pitch routine is always pretty extensive – we start with a brainstorm, then a Google form and finally go back and forth a few times to establish the set plan for stories.
The brainstorm, especially, is something I am very particular about. I really try to have us do group brainstorms around the classroom as much as possible at the start of each cycle. We have these big poster papers in the room that we'll lay out for people to write their ideas for each section. This helps a lot because people who have a lot of ideas are able to then pass them on to others who need some help, and the work gets evenly distributed among the staff.




These are just a few of the posters we'll put out. I'll often get these ready during seventh hour the day before we do the brainstorm so it is ready to go. Everyone will get into groups, our adviser will set a timer and then we rotate throughout. People will write their names next to the stories they want to write. Photos by Satvika Ramanathan
Then, after this, I begin reaching out for clarification on stories and to flesh out. Most of the time, this is a conversation, but sometimes it's an email if I am not able to talk to the writer in person.

This was for a story that we wanted to put in print. I wanted to make sure he was covering his bases with sources, and we went back and forth a few times on who else he was reaching out to and should reach out to, including staff, administration and the IT department.
If writers need further assistance with settling on topics, then I also sometimes help them with brainstorming things like researching people to reach out to, drafting emails and brainstorming interview questions.
Before I edit
At the beginning of this year, I brought on a copy editor, Lakshya Jaiganesh, as we didn't have a copy editor when we resumed publishing in the fall. I felt it was vital to have someone able to go through for grammar, AP style rules and structure before the editors-in-chief and section editors come in for stylistic choices​​.

This was a slide I made to show in class as an announcement that Lakshya was now our copy editor. I encouraged her to fill out an editor application specifically to become a copy editor, and our adviser was happy to add her to the team.
I also make sure that there are enough eyes on the story before I go in to begin editing. We have a large team of editors and editors-in-chief, and often, I am the last person to look at a story before it is published. ​​​When creating deadlines for print, I make sure to lay out deadlines for section and copy editors to do their editing and then deadlines for me and other EICs to do our editing.

This is an email I sent out enforcing this before our second issue of the year.
Editing Stories
My editing process for stories varies depending on the type of story, where it is going to be published and who is writing it.
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Because we have three sections of newspaper, it is not always possible for me to sit down face-to-face with writers and go through their work. I try my best to establish connections utilizing free hours and lunch, but realistically, a lot of the editing that I do for people who are not in my hour of newspaper ends up being online through email, Google Docs comments and text.
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I am also one of three print editors-in-chief, and we have a team of ten editors-in-chief across print, web, social media and our new sports website. This means a lot of content doesn't run by all of us, but I do try to make it a priority to look over as many stories as I can, even if they are not going in print.
There are a few things that I am looking for when editing stories, and I try to go from out to in – so starting with the big picture of the story and slowly zooming in to the details to create a good final draft.
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The first thing I ensure I check is if the story fits the requirements for its section. If it's a news or a feature story, it should avoid opinion or any editorializing. If it's an opinion article, it should include its call to action at the very beginning of the story. Even though this seems like it may be blatantly obvious, because of that, these things sometimes slip through the cracks, and I find that I often will go through and check for these clear requirements.

I left this comment on a story about University of Michigan Health’s decision to ban gender affirming care for youth. The writer had included an opinionated portion, and I wanted to make sure they either quoted someone saying that or removed their own feelings.
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Next, I make sure the structure of the story is solid and easy to follow.

Here, a story featuring multiple people's ideas on a topic was broken into sections but didn't have subheads to clearly separate the story out. I suggested that the writer add subheads to make it visibly divided for ease. I also suggested some options for the writer of the story to showcase the content of the section.

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I then look at wording. I try to make sure our stories are as efficient and effective as possible. Sometimes this means suggesting alternative lede ideas or just going through and suggesting small changes to ensure the article flows smoothly.

For instance, this story was written by one of our editors about how teachers wear blue every Wednesday as a form of unionizing and banding together. Eleven years ago, the senior teachers' salary was cut three percent, and that was the stat that the writer wanted to start with. It was a beautifully written article, but the lede was formatted in a way that I felt didn't portray that it was actually important. Although three percent is a lot to be cut from a salary, without the context, it seems over dramatized – just starting with "three percent" doesn't have the same effect as stating what that three percent was. So I suggested an alternate lede, and the writer agreed and edited the story.

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Finally, I'll examine the little details of the story and go through for small tweaks that might contribute to the overall message of the story.
